Posts Tagged heritage
Artist Susan Hutton will be working with the Maryborough Historical Society collection as part of the ‘Collective Insites‘ project. Susan’s mediums include painting, drawing, assemblage and artist books. She is also interested in various methods of printing and has recently acquired a kiln to experiment with printing onto ceramic work. Susan describes her work as using images as metaphors to tell stories from the inside.
Maryborough Historical Society is the main repository of Maryborough’s social history. Many objects, photographs and documents in the collection are cared for and put on display by a team of volunteers. The sheer size and diversity of the collection can be overwhelming for the visitor.
The collection occupies a significant heritage building, the Maroborough School of Arts and includes the original School of Arts library which is still in situ on the mezzanine floor.
Susan has made several visits to the collection spending some time there absorbing the feeling of place and space and ambling through the collection to see where it leads her. She intends to explore the books, documents and plans and the objects before deciding on her approach to making artworks about the collection. To get started she is playing with photographs and drawings making digital images that may be used in later works. For her this process is as important as the final work. She lets the collection speak.
The Collective Insitesapproaches the museum as a place of relevance to contemporary culture and . The intention is to stimulate audience engagement and interest in through innovative approaches to interpreting and examining their collections.
Fivewill focus their attention on the historic collections in the regional town of Maryborough in . They will interact with the objects in the collections in creative ways, and to explore and invigorate the interface between the collection and the audience. They will be encouraged to question the assumptions and expectations interwoven into museum practice and the acquisition, ordering and display of objects in the museum context.
The artists were selected to be part of ‘Collective Insites’ are David Hodges, Peta Duggan, Christine Turner, Niels Ellmoos, and Susan Hutton.
In the workshop Fiona Mohr introduced the artists to traditional museum practices and approaches and gave a brief overview of the historical collections that will be part of the project. Curator Judy Barrass gave a presentation on the many ways artists have interacted with, worked with, or commented on museums, collections and collecting, and museum practice. A visit to the local Historical Society collection was used as the starting point for discussion on approaches to dealing with objects versus stories or entire collections, and the difficulties artists might face in being ‘guided’ towards certain interpretations or stories.
Each of the artists was allocated a museum to work with for the duration of the project.
The collections included in the project are Brennan and Geraghty’s store, The Maryborough Military and, MavisBank, Maryborough Historical Society and industrial objects in various collections, including and Foundry moulds.
The artists will now go on to spend several months working with individual museums before the group exhibition in May at Gatakers Artspace in Maryborough.
Creative Histories is a project of Queensland artist Judy Barrass. It seeks to connect artists with museums and collections in a partnership that creates fresh ways of interpreting, commenting on or presenting history.
This blog will be used as a resource base to document various projects and investigate what happens when artists focus their attention on collections, museums and historical places. It is also intended as a resource for museums who may be interested in the processes, who seek information or advice on working with artists to renew or invigorate the interface between history and the general community.
The project has grown out of a long term interest in and connection with historical places and collections and several projects on the Sunshine Coast in Queensland. Judy is currently working on a major project ‘Collective Insites’ which brings together five artists to work with five collections in the historic town of Maryborough. As curator of this project she is keen to develop a long term working partnership between the artists, the historical collections and the local art gallery, Gatakers Artspace.
Judy’s work is informed by her history as an artist whose major focus has been on place. In this Creative Histories project she is also working closely with Fiona Mohr, who is Regional Museum Development Officer with the Queensland Museum. Fiona brings her knowledge and expertise in museums and collections to the project. Her creative background and an interest in fresh approaches to collections fuels her interest and adds to the project.