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Highfield House in northern Tasmania offers up its history in layer upon layer of wallpaper. Peeling, layered, scratched, stained and marked with the passage of time the walls and surfaces of Highfield House are a beautiful story of changing styles, aspiration, decay and renewal. A video of images taken on a visit to the house in 2009 has been uploaded to YouTube http://youtu.be/LEXfzhZCc2A
Creative Histories is a project of Queensland artist Judy Barrass. It seeks to connect artists with museums and collections in a partnership that creates fresh ways of interpreting, commenting on or presenting history.
This blog will be used as a resource base to document various projects and investigate what happens when artists focus their attention on collections, museums and historical places. It is also intended as a resource for museums who may be interested in the processes, who seek information or advice on working with artists to renew or invigorate the interface between history and the general community.
The project has grown out of a long term interest in and connection with historical places and collections and several projects on the Sunshine Coast in Queensland. Judy is currently working on a major project ‘Collective Insites’ which brings together five artists to work with five collections in the historic town of Maryborough. As curator of this project she is keen to develop a long term working partnership between the artists, the historical collections and the local art gallery, Gatakers Artspace.
Judy’s work is informed by her history as an artist whose major focus has been on place. In this Creative Histories project she is also working closely with Fiona Mohr, who is Regional Museum Development Officer with the Queensland Museum. Fiona brings her knowledge and expertise in museums and collections to the project. Her creative background and an interest in fresh approaches to collections fuels her interest and adds to the project.