Posts Tagged Creative history

Fibro Coast – University of Sunshine Coast

invitationFibro Coast opened at University of Sunshine Coast Art Gallery on Thursday June 12th and runs until August 16th. There’s an interesting mix of objects, photos, memorabilia, and historical and traditional artworks, which sounds like a very eclectic exhibition, and it is. However co-curator John Waldron and Dawn Oelrich from University of Sunshine Coast Art Gallery have done a wonderful job putting together this large and complex exhibition and it looks good.

collageOn opening night exhibiting artists Judy Barrass and Corrie Wright welcomed visitors to the gallery with a projection performance on the copper walls of the gallery that included imagery and drawings of fibro houses and furniture from the 50’s and 60’s.

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There is an extensive public programme to augment the exhibition. It includes:

Film screening – The Place at the Coast  Sunday 22 June 2014, 2pm to 4 pm

Discussion Forum – Fibro Coast Thursday 31 July 2014, 2:00pm – 5:00pm

Walking tour – Moffat Beach Sunday 3 August 2014, 2:00pm – 4:00pm

The full programme with descriptions and list of speakers can be found on  at http://www.usc.edu.au/community/art-gallery/exhibitions/2014/june/fibro-coast

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Fibro Coast – University of Sunshine Coast June 2014

Judy Barrass -Australian BuildersAfter a successful showing at Gold Coast Arts Centre Fibro Coast exhibition will open in a new format at University of Sunshine Coast Gallery on June 12th   presenting  material from local private and public collections, artworks, architectural drawings, contemporary and historic photographs, ephemera, objects, and oral histories documentaries.  There is, in short, something for everyone. More information can be found on the Gallery website or at BlueSkyView.

My work for Fibro Coast includes video and a series of small, evocative,  paper structures reminiscent of reliquary boxes.

In wandering around my neighbourhood of Noosa photographing fibro houses for the project I was very aware that we are fast losing this part of our heritage. Many of the houses I photographed were for sale, not as houses but as development sites. Sometimes all we have left is piecemeal, blurred images, small fragments of the past. I have collected some of these fragments and boxed them as precious objects might be housed in a reliquary box, a tiny shrine to the past.

Here a snapshot of some of my works shown in the Gold Coast portion of the exhibition. Some of these will also be shown on the Sunshine Coast

Judy Barrass - Fibro Coast

Judy Barrass - 37 Moorindil

Judy Barrass - Memory box

 

 

 

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Highfield House- Pattern as History

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Highfield House in northern Tasmania offers up its history in layer upon layer of wallpaper. Peeling, layered, scratched, stained and marked with the passage of time the walls and surfaces of Highfield House are a beautiful story of  changing styles, aspiration, decay and renewal.  A video of images taken on a visit to the house in 2009 has been uploaded to YouTube  http://youtu.be/LEXfzhZCc2A

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Collective Insites – Awards and more.

The Collective Insites project has been over now for some time, but before I wrap it up on this blog I should congratulate everyone involved for achieving a GAMMA Award for one of the best projects in 2011. Read about the awards at http://www.magsq.com.au/01_cms/details.asp?ID=868.

Collective Insites is also now featured as a case study on the Arts Queensland website at http://www.arts.qld.gov.au/docs/collective%20insites%20case%20study.pdf.

There’s possibly more I’ll post about collective Insites. I have a lot more images I should sort out and post and hope I can get to do that soon.

In the meantime I’m going to start using this blog to feature other works and  projects that take a creative approach to history.

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Creative History ‘Collective Insites’ now available as an e-book

An extended version of the catalogue essay with an introduction to the project and a section on the work of each of the artists is now available in e-book format at all major e-book retailers including the Kindle store on Amazon, Apple, Barnes and Noble, Sony, Kobo and Diesel. The book can be easily accessed in all e-reader formats as well as PDF and HTML by visiting the Smashwords publishing site  at this link  http://www.smashwords.com/books/view/60135 or through any of the e-book retailers above.

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Collective Insites Opening

A large crowd gathered at Gatakers Artspace to celebrate the opening of the Collective Insites  exhibition on May 6th 2011. Jenny Galligan,Executive Director (Arts Development), Arts Queensland opened the exhibition.


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Hanging ‘Collective Insites’ exhibition, Gatakers Artspace, Maryborough

It seemed like it was never going to happen. The gallery looked like a construction site. It’s hard to image what comes before a beautifully  presented exhibition in a white cube gallery space. Chaos and stress.

Niels Ellmoos was hard at work putting together the frame-work for his massive charcoal drawing. His portable museums were a mass of bits and pieces, tools, glues, and unkowns.

Susan Hutton seemed like she was on a dream run, putting together four of her five pieces in record time. But it seemed like a cat was going to be her undoing. Many tries later the cat finally conformed to Susan’s idea of where and how it should sit on its pedestal.

It was then up to Christine Turner to create havoc and challenge everyone to remember how the mangle went back together. Trevor Spohr from Gatakers was his usual unflappable self coming up with solutions to every  problem, and finding a way to get everything done.

Of course Fiona Mohr also had a hand in trying to put that mangle back together.  In the end we had to call in the experts in the guise of Patrick from Mavis Bank.  Fiona  was heard emitting huge sigh of relief that her expertise would no longer be called into question.

Over in a corner was what we  affectionately called ‘the Tardis’, but which was, in reality David Hodges’ installation. Sometime after lunch  workmen in flurescent vests arrived and started doing all sorts of things to it. We don’t know what. Perhaps they were attempting time travel. We’re looking forward to how this thing is going to operate, if it does. Peta Duggan was nowhere to be found. We think she was at home putting the finishing touches to a fantastic and amazing sculpture that will definitely not be able to be transported and will never fit into the lift to the first floor. But we hope she’s having fun. John Meyers from the military Museum came in to  go over her work with a fine tooth comb and we are pleased to say he actually liked some pieces. Thanks John!

Make sure you’re there for the opening of this amazing exhibition. Gatakers Gallery, Maryborough, Friday May 6th, 6 pm. The catering  is going to be great! All are welcome to attend.

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