Posts Tagged collective insites
Sometimes one comes across a collection that sits outside the norm. Mavis Bank in Maryborough is one of those.
It is an eclectic and personal, private collection of bric-a-brac, furniture, vehicles, household appliances, toys and much more from no particular era (except it’s mostly late 19th early 20th Century), housed in a generic, not overly interesting Queenslander style house hidden behind a magnificent overgrown garden. There are no labels and no particular arrangement of the objects other than what suits the fancy and the needs of the owners. Everywhere you turn you see something new and interesting and perhaps disconnected from the last thing you just saw. The house is filled to overflowing with collected ‘stuff’, treasured and displayed in a domestic, ‘cottage’ setting.
Owners Elizabeth McKenzie and partner Patrick live in the building, in the collection amongst the objects which they sit on, play with, tinker with, listen to and use. So for them it is not a museum, it is their home, and a very personal space. Many of the objects have a story directly related to their own personal histories. Elizabeth and Patrick kindly open their home for the public to visit, and once through the doors it’s a journey into domestic nostalgia.
As part of the Collective Insites project artist Christine Turner will be working with the Mavis Bank collection, letting it speak to her, and making her own particular interpretations of the objects and the collection as a whole.
Christine’s practice encompasses assemblage, installation, digital imaging, collage and photography. Her works relate to identity, memory, the body, power and the sacred. An avid collector herself, she uses her own collections in her works, and understands the urge that drives those who fall in love with objects from the past. At Mavis Bank she has found an instant rapport with Elizabeth McKenzie in a shared love of domestic memorabilia and is working to incorporate items from the Mavis Bank collection into her artwork that will form part of the Collective Insites exhibitions at GatakersArtspace later in the year.
Artist Susan Hutton will be working with the Maryborough Historical Society collection as part of the ‘Collective Insites‘ project. Susan’s mediums include painting, drawing, assemblage and artist books. She is also interested in various methods of printing and has recently acquired a kiln to experiment with printing onto ceramic work. Susan describes her work as using images as metaphors to tell stories from the inside.
Maryborough Historical Society is the main repository of Maryborough’s social history. Many objects, photographs and documents in the collection are cared for and put on display by a team of volunteers. The sheer size and diversity of the collection can be overwhelming for the visitor.
The collection occupies a significant heritage building, the Maroborough School of Arts and includes the original School of Arts library which is still in situ on the mezzanine floor.
Susan has made several visits to the collection spending some time there absorbing the feeling of place and space and ambling through the collection to see where it leads her. She intends to explore the books, documents and plans and the objects before deciding on her approach to making artworks about the collection. To get started she is playing with photographs and drawings making digital images that may be used in later works. For her this process is as important as the final work. She lets the collection speak.