Posts Tagged Susan Hutton
Collective Insites Opening
Posted by creativehistories in Collective Insites on July 5, 2011
A large crowd gathered at Gatakers Artspace to celebrate the opening of the Collective Insites exhibition on May 6th 2011. Jenny Galligan,Executive Director (Arts Development), Arts Queensland opened the exhibition.
Hanging ‘Collective Insites’ exhibition, Gatakers Artspace, Maryborough
Posted by creativehistories in Collective Insites on May 5, 2011
It seemed like it was never going to happen. The gallery looked like a construction site. It’s hard to image what comes before a beautifully presented exhibition in a white cube gallery space. Chaos and stress.
Niels Ellmoos was hard at work putting together the frame-work for his massive charcoal drawing. His portable museums were a mass of bits and pieces, tools, glues, and unkowns.
Susan Hutton seemed like she was on a dream run, putting together four of her five pieces in record time. But it seemed like a cat was going to be her undoing. Many tries later the cat finally conformed to Susan’s idea of where and how it should sit on its pedestal.
It was then up to Christine Turner to create havoc and challenge everyone to remember how the mangle went back together. Trevor Spohr from Gatakers was his usual unflappable self coming up with solutions to every problem, and finding a way to get everything done.
Of course Fiona Mohr also had a hand in trying to put that mangle back together. In the end we had to call in the experts in the guise of Patrick from Mavis Bank. Fiona was heard emitting huge sigh of relief that her expertise would no longer be called into question.
Over in a corner was what we affectionately called ‘the Tardis’, but which was, in reality David Hodges’ installation. Sometime after lunch workmen in flurescent vests arrived and started doing all sorts of things to it. We don’t know what. Perhaps they were attempting time travel. We’re looking forward to how this thing is going to operate, if it does. Peta Duggan was nowhere to be found. We think she was at home putting the finishing touches to a fantastic and amazing sculpture that will definitely not be able to be transported and will never fit into the lift to the first floor. But we hope she’s having fun. John Meyers from the military Museum came in to go over her work with a fine tooth comb and we are pleased to say he actually liked some pieces. Thanks John!
Make sure you’re there for the opening of this amazing exhibition. Gatakers Gallery, Maryborough, Friday May 6th, 6 pm. The catering is going to be great! All are welcome to attend.
Collective Insites Exhibition Opens May 6th
Posted by creativehistories in Collective Insites on April 28, 2011
The opening of
of two new exhibitions at Gatakers Artspace: Collective Insites curated by Judy Barrass and
featuring works by five artists and In the Half Light by Noel Brown.
DATE 6 May 2011
LOCATION Gatakers Artspace, 311 Kent Street, Maryborough
TIME 6.00pm for 6.30pm
Collective Insites to be opened by Jenny Galligan,
Executive Director (Arts Development), Arts Queensland
In the Half Light to be opened by Trevor Spohr
TELEPHONE Trevor Spohr (07) 4190 5723
RSVP 2 May 2011
Artist Susan Hutton Works with Maryborough Historical Society
Posted by creativehistories in Collective Insites on February 11, 2011
Artist Susan Hutton will be working with the Maryborough Historical Society collection as part of the ‘Collective Insites‘ project. Susan’s mediums include painting, drawing, assemblage and artist books. She is also interested in various methods of printing and has recently acquired a kiln to experiment with printing onto ceramic work. Susan describes her work as using images as metaphors to tell stories from the inside.
Maryborough Historical Society is the main repository of Maryborough’s social history. Many objects, photographs and documents in the collection are cared for and put on display by a team of volunteers. The sheer size and diversity of the collection can be overwhelming for the visitor.
The collection occupies a significant heritage building, the Maroborough School of Arts and includes the original School of Arts library which is still in situ on the mezzanine floor.
Susan has made several visits to the collection spending some time there absorbing the feeling of place and space and ambling through the collection to see where it leads her. She intends to explore the books, documents and plans and the objects before deciding on her approach to making artworks about the collection. To get started she is playing with photographs and drawings making digital images that may be used in later works. For her this process is as important as the final work. She lets the collection speak.
Susan says “The journey is going to be fun!”
Maryborough “Collective Insites” project gets underway
Posted by creativehistories in Collective Insites on February 7, 2011
The Collective Insites project approaches the museum as a place of relevance to contemporary culture and local community. The intention is to stimulate audience engagement and interest in museums through innovative approaches to interpreting and examining their collections.
Five artists will focus their attention on the historic collections in the regional town of Maryborough in Queensland, Australia. They will interact with the objects in the collections in creative ways, and to explore and invigorate the interface between the collection and the audience. They will be encouraged to question the assumptions and expectations interwoven into museum practice and the acquisition, ordering and display of objects in the museum context.
The artists were selected to be part of ‘Collective Insites’ are David Hodges, Peta Duggan, Christine Turner, Niels Ellmoos, and Susan Hutton.
The project began in earnest on the last weekend in January with a two day workshop that brought together Curator, Judy Barrass, Fiona Mohr, regional Museum Development Officer and the five artists.
In the workshop Fiona Mohr introduced the artists to traditional museum practices and approaches and gave a brief overview of the historical collections that will be part of the project. Curator Judy Barrass gave a presentation on the many ways artists have interacted with, worked with, or commented on museums, collections and collecting, and museum practice. A visit to the local Historical Society collection was used as the starting point for discussion on approaches to dealing with objects versus stories or entire collections, and the difficulties artists might face in being ‘guided’ towards certain interpretations or stories.
Each of the artists was allocated a museum to work with for the duration of the project.
The collections included in the project are Brennan and Geraghty’s store, The Maryborough Military and Colonial Museum, MavisBank, Maryborough Historical Society and industrial objects in various collections, including Walkers and Croydon Foundry moulds.
The artists will now go on to spend several months working with individual museums before the group exhibition in May at Gatakers Artspace in Maryborough.